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The Classic

Jun 15, 2017 New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

May 30, 2017 Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

Mar 3, 2017 Did You See This? In his latest Cinema ’67 Revisited column for Film Comment, Mark Harris looks back at the rapturous critical reception of Ingmar Bergman’s Persona upon its release, calling the film a monument “to a moment at which...

May 27, 2015 You may not know his name, but Raoul Coutard is a crucial figure in modern cinema. A war photographer turned cinematographer, he was the camera man of choice for many directors of the French New Wave, shooting an astonishing array...

Feb 3, 2015 Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Jul 8, 2013 With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.

Jun 27, 2005 Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.

Mon oncle

Essays

Jul 1, 1990 Jacques Tati’s radiant comedy charms first by its fresh simplicity and later by the depth and richness of its technique.

May 21, 2020 Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...

Sculpting Tadzio

Criterion Designs

Feb 22, 2019 If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

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