The Criterion Collection
Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Essays
Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.
Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Jun 10, 2014 — Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.