The Criterion Collection
On the Channel
Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...
The Daily
Apr 5, 2019 — Deep dives into the work of Bob Fosse and Buster Keaton and a mash note to Aki Kaurismäki lead this week’s highlights.
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
Tech Corner
Mar 25, 2019 — In early 2007 the UCLA Film & Television Archive received a call from Hollywood Film and Video announcing that the lab was, sadly, closing—and clearing its vaults in two days’ time. Anything left was doomed to the dumpster. The next...
In Theaters
Mar 21, 2019 — Repertory Picks Take Marlene Dietrich at the height of her stardom, stick her in tight quarters with fellow screen siren Anna May Wong, and surround them with a band of lowlifes, and you have the recipe for pre-Code Hollywood at...
The Daily
Mar 21, 2019 — As Quentin Tarantino releases the first trailer for Once Upon a Time in Hollywood, the Cannes lineup guessing game is on.
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
Mar 12, 2019 — By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...
Mar 11, 2019 — It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...
The Daily
Mar 7, 2019 — The liberating influence of the painter, filmmaker, writer, and performance artist is immeasurable.