The Criterion Collection
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Essays
Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Sneak Peeks
Sep 10, 2012 — The term quadrophenia had multiple meanings for the Who. In both the 1973 album and the 1979 film titled with it, it is meant to evoke the personality of Jimmy, the protagonist, divided into four parts, each in conflict with...
Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Jul 8, 1991 — James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...
Sean O’Sullivan is an associate professor of English at Ohio State University and the author of the Contemporary Film Directors volume on Mike Leigh, from the University of Illinois Press.
The Daily
Jul 24, 2025 — This year’s Cinema Rediscovered festival spotlights the vitally independent voices of the Thatcher era.
Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.