The Criterion Collection
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
The Daily
Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
The Daily
Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.
Aug 31, 2018 — And a pillar of American film criticism falls.
The Daily
Aug 27, 2018 — Theater and movie audiences laughed at his one-liners throughout the 1960s and ’70s.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.