As director

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

Jan 6, 2015 — Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...

Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Aug 19, 2014 — Gena Rowlands’s acting career spans seven decades of television and film, and she has collaborated with such directors as Woody Allen, Jim Jarmusch, and Mira Nair. But it is her work with her late husband, John Cassavetes, that best showcases...

Jul 31, 2014 — Repertory PicksThings are getting emotional at New York’s Museum of the Moving Image this August. As part of its recurring See It Big! series, the institution is presenting a selection of great Hollywood melodramas, from the 1930s to the 2000s,...

Oct 11, 2012 — Repertory PicksBAMcinématek in Brooklyn is looking back to the nineties for a celebration of the period in American and British independent cinema when a wide array of gay and lesbian artists built their own movement. The series Born in Flames:...

Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Jun 7, 2011 — Performances Despite bearing his last name and a close resemblance to him—the high cheekbones, the slightly drooping lips and prominent front teeth, the piercing yet empathetic eyes—remarkably, Geraldine Chaplin has never seemed obscured by the shadow of her iconic father,...