The Criterion Collection
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
The Daily
Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.
Criterion Designs
Dec 5, 2018 — Studio Visits When it comes to evoking fantastical worlds, artist Angela Rizza is nothing if not a natural. Since graduating from the Fashion Institute of Technology in 2011, she has quickly made a name for herself as a children’s-book illustrator,...
The Daily
Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...