Back To Search

Work It

Nov 1, 2015 Forty years ago today, we lost Pier Paolo Pasolini—the celebrated Italian filmmaker, actor, poet, novelist, journalist, playwright, painter, and public intellectual. On November 2, 1975, Pasolini was found brutally murdered on a beach in Ostia, Italy, just weeks before the...

Oct 29, 2015 One of the great delights of watching a David Lynch movie comes from the thrill of exploring the film's mysterious depths. Here, in an online-exclusive excerpt from a new interview with actor Justin Theroux, conducted for Criterion's release of Lynch’s...

Nov 18, 2013 When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Oct 18, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results. The top fifty movies in the 2012 critics’ list, unveiled August 1, include...

Aug 14, 2012 The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Sep 19, 2011 Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Aug 24, 2010 T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...

Aug 17, 2009 Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to...

Jun 15, 2009 With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.

Once widely misunderstood, this French master of suspense dealt in misanthropic, black-humored tales and is now recognized to be among the greatest directors of the 1950s.

Current Page
152
of 426

You have no items in your shopping cart