The Criterion Collection
The Daily
Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
Sep 24, 2025 — Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.
The Daily
Jul 31, 2025 — Series celebrating a giant of American cinema are on in Boston, Chicago, Berkeley, and Los Angeles.
The Daily
Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.