Wild Side

Jan 19, 2018 — “With issues of women’s equality, sexual misconduct, and political turmoil heavy on the movie world’s mind, Sundance Film Festival Director John Cooper said he wanted to start the 2018 edition with a movie that’s ‘fun to the point of sassy,’”...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Dec 30, 2017 — Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

Dec 15, 2017 — The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...

Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...