The Criterion Collection
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Oct 30, 2018 — Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.
The Daily
Aug 15, 2018 — More Galas and Special Presentations, but also the full Masters, Wavelengths, and Contemporary World Cinema lineups.
The Daily
Jun 29, 2018 — The festival’s fifty-third edition also features the latest from Radu Jude and a tribute to the Austin Film Society.