The Criterion Collection
The Daily
Sep 2, 2020 — Festival directors join Venice head Alberto Barbera, who encourages the industry to get back up and running again.
The Daily
Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.
The Daily
Jun 10, 2020 — As we remember the first African American to win an Oscar on her 125th birthday, HBO Max temporarily removes the movie she won it for.
The Daily
Apr 24, 2020 — Paul Schrader and Petra Costa are among the filmmakers determined to make the most of what they’ve got during lockdown.
The Daily
Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.
Features
Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...
Jan 16, 2020 — Deep Dives The question that was asked of the great actors and actresses of silent film with the coming of sound was simple: Could they speak? Could they adapt the styles they had developed to the demands of dialogue and...
Features
Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...