The Line

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 6, 2023 — Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.

Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Aug 16, 2023 — This month’s roundup spotlights summer blockbusters, historical perspectives, and dazzling costumes.

Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jun 30, 2023 — This week’s highlights include conversations with Boots Riley and Lucrecia Martel and a new triple issue of Offscreen.

May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.

Mar 2, 2023 — This year’s lineup blends world premieres with fresh arrivals from Berlin and Sundance.