Jan 12, 2017 The Hollywood screwball canon is rife with witty zingers and provocative repartee, but when it comes to sheer speed, nothing in the genre holds a candle to Howard Hawks’s newsroom rom-com His Girl Friday. In what remains the most beloved...

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Jan 4, 2017 A new 4K restoration of French playwright, filmmaker, and novelist Marcel Pagnol’s Marseille Trilogy is now playing at New York’s Film Forum. Comprised of Alexander Korda’s Marius (1931), Marc Allégret’s Fanny (1932), and Pagnol’s César (1936), this legendary series, produced...

Dec 21, 2016 Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Nov 8, 2016 This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.

Oct 18, 2016 Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Aug 18, 2016 Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Jul 21, 2016 Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Tati in Los Angeles

In Theaters

Jul 14, 2016 In celebration of Bastille Day, the American Cinematheque treats L.A. audiences to a double dose of comedic genius from the beloved French filmmaker.

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