Dec 20, 2019 This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Nov 27, 2019 Check out what’s in store next month on our streaming service!

Americans in Paris

The Daily

Nov 14, 2019 Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

London 2019

The Daily

Oct 2, 2019 Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 17, 2019 Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

Sep 16, 2019 In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Bitter Harvest

Features

Sep 2, 2019 Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Aug 28, 2019 Check out what’s in store next month on our streaming service!

Current Page
15
of 43

You have no items in your shopping cart