The Criterion Collection
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.
Feb 19, 2007 — A powerful document of anti-Nazi propaganda, Powell and Pressburger’s war drama consolidated their partnership and showed a way forward for British cinema.
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...
Mar 14, 2005 — The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...
Essays
Mar 14, 2005 — The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...