The Criterion Collection
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...
Aug 12, 1991 — It is 1945. For the first time in four years, the Southern Pacific stops in Black Rock. A one-armed man named John J. MacReedy (Spencer Tracy) steps off the train. This brooding stranger makes the few residents who inhabit the...
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
Essays
Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.
The Daily
Oct 2, 2026 — As we mark the Andrzej Wajda centennial, Paweł Pawlikowski looks back on the twentieth century from another angle. Plus: Rohmer, Burnett, Fosse, and Wiene.
Sep 22, 2026 — In this exhilarating account of the making of Jean-Luc Godard’s Breathless, Richard Linklater lovingly reconstructs the vanished world of late-fifties Paris and the cinephilic culture surrounding the French New Wave.
The Daily
Sep 21, 2026 — The first phase of the fall festival season wraps with a big win for Javier Calvo and Javier Ambrossi’s La bola negra.
On the Channel
Sep 17, 2026 — Our Halloween programming includes a tour of cinema’s scariest road movies, an anthology of TV-movie nightmares, and collections built around our fears of sinister intruders and mysterious possessive forces.
The Daily
Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.