The Criterion Collection
Jun 30, 2025 — The Austin Film Society spotlights nine performances, each of them a unique declaration of independence.
Jun 26, 2025 — One of the defining independent films of its era, François Girard’s provocatively splintered portrait of the great pianist finds playful ways of toying with the cultural mythologization of its subject.
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.
The Daily
Jun 13, 2025 — Darling and Dogma are back in theaters, and Edmund White is remembered with his great essay on Jean Genet and Jean Cocteau.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
The Daily
Jun 10, 2025 — At MoMA, curator David Schwartz celebrates seventeen landmark New York screening venues.
The Daily
Jun 6, 2025 — Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.