The Criterion Collection
Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Essays
Mar 27, 2012 — Written in five or six days in 1941, in a seaside hotel where he had gone to get away from the Blitz, and by all accounts scarcely revised before being mounted some six weeks later, Noël Coward’s Blithe Spirit became...
Short Takes
Sep 13, 2011 — Poignant news to pass along: our good friend and frequent contributor Michael Sragow has announced on his Baltimore Sun blog that at the end of this week, he will be hanging up his hat as a regular film critic. This...
Interviews
Oct 22, 2009 — Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality from the point of view of a pair of young sisters....
Jun 10, 2009 — Kind Hearts and Coronets, that most wicked comedy of ill manners, had established Alec Guinness as an acting force—and coming so soon after he had disappeared into the role of Fagin in David Lean’s Oliver Twist, his dazzling embodiment of...
Jun 2, 2009 — If you’ve seen John Huston’s wild Wise Blood, then you might want to know more about Flannery O’Connor, from whose debut novel the film is faithfully adapted. A good place to start would be Brad Gooch’s Flannery: A Life of...
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
The Daily
Jun 12, 2024 — Veljko Vidak’s documentary on the construction of a movie theater in a Finnish town screens with five films by Aki Kaurismäki.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.