The Criterion Collection
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
The Daily
Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
The Daily
Nov 14, 2018 — He transformed a fledgling comic book publisher into a juggernaut brand.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Nov 5, 2018 — Alice Rohrwacher’s third feature, currently playing in Europe, heads to home screens at the end of the month.
The Daily
Oct 31, 2018 — The nominations for the British Independent Film Awards and the Louis Delluc Prize are out.