I Am

Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.

Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.

Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.

Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Dec 13, 2023 — In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...

Dec 12, 2023 — Channel Calendars Kick off the new year with a new favorite movie! There’s plenty to choose from in January, including a heap of catnip for fans of film felines, a spotlight on classic screen siren Ava Gardner, the gripping New...

Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.

Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...