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Jul 30, 2015 — It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.

Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

Jul 9, 2015 — Repertory PicksAll week, the Brattle Theatre in Cambridge has been paying well-deserved tribute to a superb actor with the series Roy Scheider Revisited. The short retrospective concludes today with what is perhaps the late actor’s most remarkable role: a womanizing,...

Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Jul 2, 2015 — Les Blank’s A Poem Is a Naked Person, in theaters courtesy of Janus Films, is a major rediscovery. Now playing at New York’s Film Forum before expanding to cities across the United States, including Salt Lake City, Los Angeles, San...

Jul 2, 2015 — Repertory PicksAmong Dustin Hoffman’s indelible cinematic creations are The Graduate’s awkward Benjamin Braddock, Midnight Cowboy’s apoplectic Ratzo Rizzo, and Rain Man’s autistic Raymond Babbit. But nothing in this chameleon’s oeuvre compares to his Dorothy Michaels, the female alter ego invented...

Jun 24, 2015 — PerformancesThe late character actor Michael Jeter had a profound effect on me as a child, but as with so many things, I didn’t realize it until I was an adult. Twenty-five years ago this month, I saw my first Tony...

May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.

May 21, 2015 — Repertory PicksWhen cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of...