The Music Man

Feb 7, 2024 — Metrograph presents three of Gomis’s own features along with two he’s chosen for the weekend series.

Mar 10, 2022 — The Austin festival will stage its first in-person event since 2019.

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jan 12, 2018 — Yance Ford’s Strong Island, which “mines his intense personal history of growing up on Long Island in the ’80s, with a focus on the murder of his brother and the shockwaves it sent through their entire family,” has won Outstanding...

Dec 10, 2017 — The thirty-third IDA Documentary Awards were presented by the International Documentary Association in a ceremony hosted by comedian Maz Jobrani on Saturday night in Los Angeles. Here are all the nominees with the winners in bold. Best Feature Matthew Heineman’s...

Nov 4, 2017 — With four each, Viktor Jakovleski’s Brimstone & Glory (image above), Matthew Heineman’s City of Ghosts, and Yance Ford’s Strong Island lead the nominations for the 2018 Cinema Eye Honors, founded in 2007 to “recognize excellence in artistry and craft in...

Nov 1, 2017 — The International Documentary Association has announced the nominees for the thirty-third IDA Documentary Awards as well as the winners of its creative recognition awards. The winners will be honored on December 9.Best FeatureMatthew Heineman’s City of Ghosts (image above)Antonio Santini...

Oct 23, 2010 — In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...

Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...

Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...