Get Over It

Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Dec 21, 2018 — New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.

Dec 19, 2018 — The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.

Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.

Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...