The Criterion Collection
The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...
The director and cowriter of Nickel Boys praises The Qatsi Trilogy as “vital for understanding the visual world,” quotes from Chris Marker’s Sans Soleil, and talks about watching Bruce Lee movies with his dad.
The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
The Daily
Jun 28, 2018 — As two festivals in New York survey the best of new Japanese cinema, it’s “Summer in Japan” in Toronto.
Sneak Peeks
Oct 19, 2016 — In a conversation with German children’s author Cornelia Funke, the Mexican director discusses his fascination with myths and fairy tales.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.