Sam Rohdie is professor of cinema studies at the University of Central Florida. He is the author of Montage, Promised Lands, Fellini Lexicon, Rocco and His Brothers, The Passion of Pier Paolo Pasolini, and Antonioni. This piece originally appeared in...

Kenneth Turan is film critic for the Los Angeles Times and National Public Radio’s Morning Edition, as well as the director of the Times Book Prizes. His latest books are Never Coming to a Theater Near You and Now in...

Peter von Bagh is a Finnish film historian, author, television and radio director and producer, book publisher, and film director. From 1970 to 1985, he was curator and program director of the Finnish Film Archive. Since 1971, he has been...

Andrew Moor is a reader in film history and theory at Manchester Metropolitan University. He is the author of Powell and Pressburger: A Cinema of Magic Spaces and coedited, with Ian Christie, The Cinema of Michael Powell: International Perspectives on...

Joan Mellen is the author of several books about Japanese cinema, including Voices from the Japanese Cinema and The Waves at Genji’s Door as well as monographs for the BFI on Seven Samurai and In the Realm of the Senses....

Michael Raine teaches Japanese cinema and other courses in the Department of East Asian Languages and Civilizations and in the Program in Cinema and Media Studies at the University of Chicago. He has published on various aspects of Japanese cinema...

Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...

John Simon has written for more than fifty years on theater, film, literature, music, and the fine arts for such publications as the Hudson Review, the New Leader, the New Criterion, the National Review, New York magazine, the New York...

Tony Rayns is a London-based critic with a special interest in the film cultures of East Asia. He has been awarded the Kawakita Prize (2004) and the Foreign Ministry of Japan’s Commendation (2008) for services to Japanese cinema. His books...

David Kalat is a film historian who has been in love with the fantastique since his misspent childhood. He has written several books, including The Strange Case of Dr. Mabuse and, most recently, Too Funny for Words: A Contrarian History...

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