A Day

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.

May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.

Aug 11, 2014 — In 1983, during the production of John Cassavetes’s Love Streams, journalist Michael Ventura was hired by Cannon Films executive Menahem Golan to make a promotional documentary about the company’s first Cassavetes picture. The result was the sixty-minute “I’m Almost Not...

Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...

Nov 3, 2013 — The legendary Italian director discusses La notte’s inspirations and themes in this 1961 newspaper article that coincided with the film’s French release.

Jul 29, 2013 — Guillermo del Toro’s historical thriller and supernatural horror film The Devil’s Backbone is clearly the work of a film artist with an immense imagination. But according to the writer-director, it was also inspired by a real-life experience that haunts him...

Feb 22, 2013 — The writer shares his memories of his friendship with the great writer and Japanese cinema expert, who passed away this week.

Sep 11, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

May 27, 2010 — Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...