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The White Rose

Apr 5, 2019 Deep dives into the work of Bob Fosse and Buster Keaton and a mash note to Aki Kaurismäki lead this week’s highlights.

Aug 3, 2010 Sanshiro Sugata: A Career Blooms Moviegoers the world over know Akira Kurosawa for Rashomon (1950) and the international classics that followed—Ikiru, Seven Samurai, Throne of Blood, Yojimbo, High and Low. The filmmaker’s dazzling technique made his genre tales about samurai...

Nov 19, 2024 William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.

Jul 31, 2024 Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

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The Daily

Apr 2, 2021 More mysteries from Rian Johnson plus notes on forthcoming films from Steven Spielberg, Ryusuke Hamaguchi, Alma Har’el, and more.

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Nov 16, 2017 “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Sep 8, 2017 “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jan 20, 2015 Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.

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