The Criterion Collection
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
The Daily
Jul 30, 2018 — Retrospectives of the French master’s work are playing in New York and Berkeley, with Washington to follow in September.
May 17, 2018 — The Los Angeles noir starring Andrew Garfield is met with mixed reviews.
The Daily
May 14, 2018 — Few critics come to the defense of this story of an all-female Kurdish combat unit.
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.
Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.