The Criterion Collection
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...
The Daily
Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.
On the Channel
Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...
The Daily
Mar 16, 2021 — Calls for greater diversity in the Academy’s membership that began with the #OscarsSoWhite campaign have finally begun to bear fruit.
The Daily
Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
Essays
Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...
Feb 8, 2021 — 1. Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)—the director’s second film about Dylan, after 2005’s No Direction Home—was nearly a decade in the making. Work on Rolling Thunder continued while Scorsese shot Silence (2016)...
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Features
Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...