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May 25, 2021 The Palestinian filmmaker’s four features are streaming for free through Sunday.

May 11, 2021 Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Mar 24, 2021 Some of the most exciting new nonfiction work from around the world will be showcased in the coming weeks.

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

March Books

The Daily

Mar 18, 2021 The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.

Mar 5, 2021 This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

Mar 5, 2021 Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Feb 19, 2021 It was the early sixties, and Brigitte Bardot, Jeanne Moreau, Catherine Deneuve, and Delphine Seyrig were the stars in our sky. When I first met Jean-Claude Carrière, about fifty-five years ago—he was thirty, I was twenty-three—we were working on the...

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