The Criterion Collection
Jul 10, 2015 — Sean Baker is a writer-director and cocreator of the television show Greg the Bunny. His movies include Prince of Broadway (2008), Starlet (2012), and Tangerine (2015). He says, “Writing this list was a little like Sophie’s choice for me. And...
Visual Analysis
Feb 11, 2015 — Filmmaker Kogonada, with a little help from Sylvia Plath, reflects on women and mirrors in the films of Ingmar Bergman.
Oct 25, 2013 — “I’ve been asked to select ideal Halloween viewing from Criterion’s extensive catalog,” writes the novelist, critic, broadcaster, and all-around horror maven Kim Newman. “In the interests of not incriminating myself, I’ve stayed away from releases I’ve had a hand in...
Aug 29, 2013 — Artist Kazu Kibuishi is the author and illustrator of the graphic novel series Amulet, as well as the creator and editor of the anthology Flight and the Web comic Copper. Most recently, he designed the covers for Scholastic’s new editions...
Jul 30, 2013 — A genuine American movie legend, the eighty-seven-year-old producer and director Roger Corman has been in the film business since the early 1950s. He is perhaps best known for the low-budget horror films he issued with remarkable speed in the early...
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
May 16, 2012 — Chuck Klosterman is the author of seven books (most recently, The Visible Man and Eating the Dinosaur) and serves as an accidental narrator of the LCD Soundsystem documentary Shut Up and Play the Hits. Of compiling this list, Klosterman says,...
Jan 19, 2012 — Writer, teacher, and performer Susie Bright is a trailblazer in the academic study of pornography and eroticism in mainstream cinema. The sex-positive feminist is the author of the books Susie Bright’s Erotic Screen, Volume 1: 1967–1989 and Big Sex Little...
Looking for a little cinematic catharsis? Come and cry along with Criterion.
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.