The Criterion Collection
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Sneak Peeks
Mar 22, 2018 — Composer Richard Einhorn talks about conceiving the oratorio Voices of Light, which has often accompanied Carl Theodor Dreyer’s he Passion of Joan of Arc over the past quarter century.
Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.
Short Takes
Aug 13, 2016 — On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.
May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...
May 19, 2008 — Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...
Essays
Aug 18, 2003 — The third installment in Ingmar Bergman’s trilogy about religious faith sees the auteur coming to terms with the pious rigidity and strangled emotional life of his own upbringing.
Features
Mar 11, 1993 — Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.