The Criterion Collection
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
The Daily
Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.
Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
The Daily
Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
The Daily
Mar 25, 2022 — This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
The Daily
Feb 28, 2022 — Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.