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May 28, 2019 It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 23, 2019 Our survey of this year’s edition begins with the first animated feature to take the top award.

May 19, 2019 Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.

May 15, 2019 It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

May 13, 2019 One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Apr 26, 2019 A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.

Apr 24, 2019 American cinema has lost one of its most visionary artists.

Apr 12, 2019 This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.

Mar 29, 2019 When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

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