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The Heart

Aug 28, 2020 This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.

Mar 6, 2020 This week: Kelly Reichardt chats with Bong Joon-ho and Olivier Assayas, Jia Zhangke tells the story behind his debut feature, and more.

Jun 12, 2025 The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Feb 10, 2023 We head this week to Germany before and after the war and then revisit gruesome killings in Japan and France.

Nov 8, 2022 The Portuguese festival presents one of the largest retrospectives dedicated to the movement ever staged in Europe.

Nov 20, 2020 Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....

BIFAs and Indies

The Daily

Dec 2, 2019 For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.

Sep 16, 2019 Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Jun 3, 2002 By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...

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