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The Goalkeeper’s Fear of the Penalty

Mar 16, 2017 Bill Condon is a celebrated film director and Oscar-winning screenwriter. His most recent projects include Disney’s Beauty and the Beast, the drama Mr. Holmes, and a revival of the musical Side Show, which premiered at Washington, D.C.’s Kennedy Center before...

Mar 1, 2017 The restoration teams at Warner Bros. and Criterion explain how they captured the silken texture of the nitrate print of Michael Curtiz’s classic noir melodrama.

Feb 27, 2017 Mike Portnoy is one of the founding members of Dream Theater. He is currently the drummer in the Winery Dogs, Twisted Sister, Transatlantic, Flying Colors, the Neal Morse Band, and Metal Allegiance.

Jan 27, 2017 In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.

Jan 16, 2017 Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Jan 11, 2017 When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.

Oct 25, 2016 On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Oct 19, 2016 Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 17, 2016 Terence Nance was born and raised in Dallas, Texas. His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival. The film garnered him recognition from Filmmaker magazine, which selected...

Sep 8, 2016 Mike Leigh’s 1990 comedy Life Is Sweet, showing at the Trylon microcinema as part of a monthlong retrospective of the director’s early films, presents an intimate portrait of working-class life in Thatcher-era north London.

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