The Criterion Collection
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
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Jun 1, 2018 — The San Francisco Silent Film Festival is on through the weekend. Plus, Louise Brooks in the UK and Anna May Wong in Berlin.
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May 30, 2018 — The Bergman 100 celebration brings us two new documentaries—and some terrific artwork, too.
May 23, 2018 — About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...
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May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
May 13, 2018 — It was decades ago, during one of the bitterest Montreal winters of his youth, that the acclaimed author and essayist Adam Gopnik had one of the experiences that made him a cinephile for life. The movie theater right down the street from...
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
May 3, 2018 — This morning Criterion.com went offline for a few hours, and we bid farewell to the version of the site that has been our sturdy home on the internet for more than a decade. The new site has been a labor of love,...
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Apr 18, 2018 — Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...
The Daily
Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...