The Criterion Collection
The Daily
Jul 8, 2021 — Some critics find it better than Synonyms, and while others don’t, everyone agrees that this is the Israeli director’s “most radical movie yet.”
Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Essays
Nov 23, 2010 — Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...
The Daily
Jul 7, 2026 — New York’s Japan Society throws a spotlight on Suzu Hirose and Hirokazu Kore-eda.