The Criterion Collection
The rapper and musician talks about finding inspiration in Eric Rohmer's Six Moral Tales, shares his love for the work of Sidney Lumet, and takes home favorites like Close-up and La notte.
The composer, producer, and performer shares what he learned from La Bamba, talks about seeing his community reflected in Menace II Society, and praises the vibrancy of Black Orpheus.
Walter Chaw is the senior film critic for FilmFreakCentral.net, with bylines in the New York Times, LA Weekly, the New York Post’s Decider.com, and NPR’s Pop Culture Happy Hour. His book on the films of Walter Hill is due in...
Chris Darke is a writer and film critic based in London. His work has appeared in Film Comment, Sight & Sound, Trafic, and the Independent. He is also the author of Light Readings: Film Criticism and Screen Arts, a monograph...
On the Channel
Mar 30, 2018 — In a new conversation on the Criterion Channel, filmmaker Rebecca Miller talks about her formative experiences as a movie lover and what she’s drawn to in on-screen acting.
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.
The Daily
Jan 12, 2018 — Yance Ford’s Strong Island, which “mines his intense personal history of growing up on Long Island in the ’80s, with a focus on the murder of his brother and the shockwaves it sent through their entire family,” has won Outstanding...
Short Takes
Sep 8, 2015 — Get ready to take notes: the centerpiece of Sight & Sound’s October issue is an annotated list of 100 overlooked films by women. In an article titled “The Female Gaze,” the magazine’s editors write, “We aim to challenge official film...
Emerging in France during the 1930s, this movement combined working-class milieus with moody, proto-noir art direction to stylishly represent contemporary social conditions.
Short Takes
Dec 14, 2015 — In the early 1960s, Agnès Varda traveled to Cuba to make the documentary Salut les Cubains (1963). Varda’s twenty-eight-minute film, composed almost entirely of photographs that captured Cuba’s vibrant postrevolutionary culture, was inspired by two of Chris Marker’s films—Varda took...