Each

Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.

Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.

Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.

Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.

Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.

Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.

Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.

Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.

Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.

Sep 28, 2018 — This week’s round also includes David Bordwell on Alain Resnais and Sergei Loznitsa’s tribute to Kira Muratova.