To Live

Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.

Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.

Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...

Apr 16, 2018 — New York. The Tribeca Film Festival opens on Wednesday, and later in the week, we’ll be taking a look at two series opening on Friday, The Puppet Master: The Complete Jiri Trnka at the Film Society of Lincoln Center and...

Dec 21, 2017 — With D. A. Pennebaker’s groundbreaking concert film, rock music solidified its status as a universal language.

Dec 19, 2017 — From 1970 to 1976, Joseph McBride played a film critic in Orson Welles’s The Other Side of the Wind, which Netflix plans to have completed and released next year. But he doesn’t just play one onscreen. McBride’s a critic, reporter,...

Oct 27, 2017 — This has to be one of the most tentative “in the works” roundups yet. The top three items relate to projects that may never be realized, but they’re certainly intriguing enough to make note of here.Mark Frost, for example, who...

Oct 23, 2017 — David Bordwell’s new book, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, is out, and we’ll be hearing more about it soon. For now, though, New Yorkers will want to know that Bordwell’s coming to town, specifically to the Museum...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...