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The Black Ghiandola

Jan 15, 2018 Big announcement today from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. Following the first round of titles slated for the Competition and Berlinale Special revealed last month, the Berlinale’s now added another thirteen....

Jan 8, 2018 “If you were dream-casting the role of Golden Globes host for the season of #MeToo and #TimesUp, with black-clad attendees from TV series and films that confronted misogyny (The Handmaid’s Tale) and racism (Get Out) and a barnburner of a...

Dec 30, 2017 There’s been a furious flurry of list-making going on at IndieWire over the past couple of days. “IndieWire has reached out to a number of our favorite filmmakers to share with us their lists and thoughts on the best of...

Dec 15, 2017 Unknown Pleasures, Berlin’s American Independent Film Festival programmed by Hannes Brühwiler and Andrew Grant (full disclosure: they’re friends), has announced the lineup for its ninth edition, running from January 12 through 28 at the Kino Arsenal and WOLF.Not only is...

Nov 3, 2017 “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Sep 21, 2017 The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 19, 2017 Last year, Dmitry Golotyuk and Antonina Derzhitskaya spoke with Jean-Luc Godard for the Russian publication Séance, and now Craig Keller has translated nine excerpts. The conversation evidently took place in Rolle, the modest town in Switzerland with a population of...

Sep 6, 2017 When Dee Rees’s Mudbound premiered at Sundance, I gathered a first round of reviews, beginning with Justin Chang’s for the Los Angeles Times: “Adapted from Hillary Jordan’s novel, Mudbound sketches a vivid, dirt-under-the-nails panorama of 1940s Mississippi farm country, centered...

Aug 10, 2017 Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

Jul 26, 2017 “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

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