May 19, 2023 In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

May 18, 2023 A half-hour western, a challenging essay film, and a 3D portrait of a major artist premiere as Special Screenings in Cannes.

May 17, 2023 Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.

May 16, 2023 Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

Parallel Orders

The Daily

May 12, 2023 This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.

May 11, 2023 Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.

May 10, 2023 The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

May 9, 2023 The Austrian Film Museum pairs features by the great French directors Jacques Becker and Claude Sautet.

May 8, 2023 A new film by the late director is the clear highlight of this year’s Cannes Classics program.

History Lessons

The Daily

May 5, 2023 Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

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