The Criterion Collection
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.
Jun 26, 2019 — Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
The Daily
Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
Jun 17, 2019 — Renowned for his adaptations of Shakespeare and great operas, the director was also a controversial Italian senator and stood accused of sexual misconduct.
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...