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The Follow

Apr 24, 2000 “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 8, 2026 Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

Jan 29, 2026 Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Oct 16, 2025 Vivacious and winning in comedies, she also brought a fierce power to her dramatic roles.

Sep 24, 2025 Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.

Apr 29, 2025 In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.

Screens Aglow

The Daily

May 3, 2024 Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.

Two by Wang Bing

The Daily

Sep 20, 2023 Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.

Sep 19, 2023 Warmly received in Venice, Cooper’s portrait of Leonard Bernstein and Felicia Montealegre now heads to festivals in New York, Zurich, London, Mill Valley, and Los Angeles.

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