The Criterion Collection
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
The Daily
May 19, 2018 — Talky, dense, and long, the follow-up to the Palme d’Or-winning Winter Sleep is also visually splendorous.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
May 17, 2018 — The Los Angeles noir starring Andrew Garfield is met with mixed reviews.
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
The Daily
May 13, 2018 — Critics may differ on Jia’s sprawling gangster movie, but all agree that Zhao Tao is outstanding.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.