The Criterion Collection
Jul 18, 2019 — With its picturesque Provençal village, florid theatrical dialogue, and cast of familiar southern-French actors, dominated by the formidable Raimu, The Baker’s Wife is classic Marcel Pagnol territory. In 1938, when the film was released, the feted author and playwright was...
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
Apr 19, 2019 — Performances No other comedian could milk a pause for a laugh quite the way Jack Benny could on his radio program, which lasted from 1932 to 1955 and turned him into an American institution. (He also did a TV show...
On the Channel
Apr 3, 2019 — We hope you’re as excited as we are for the official launch of the Criterion Channel! Starting next Monday, April 8, we’re sharing our dream of a movie lover’s streaming service, with more than 1,000 films from both our permanent library...
The Daily
Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.