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Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.

Nov 11, 2022 — This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.

Nov 8, 2022 — New York’s Japan Society presents a selection of films written, produced, and/or directed by women.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.