The Criterion Collection
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Short Takes
Mar 23, 2017 — With a monumental body of work spanning nearly six decades, thirty feature films, and a staggering array of styles and genres, Akira Kurosawa has been a cornerstone of our collection since we released Seven Samurai as our second Criterion edition...
On the Channel
Mar 18, 2017 — The landscape of late-nineties American film culture found a loving chronicler in John Pierson, whose groundbreaking TV series Split Screen premiered on IFC in 1997 and now has its streaming home on the Criterion Channel. In this excerpt from the...
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Mar 13, 2017 — In late 2016, I was commissioned by the Criterion Collection to photograph the cover and interiors for the edition of Andrew Haigh’s masterful 45 Years. I’m a photographer and artist based in the UK, and I had first worked with...
In Theaters
Mar 9, 2017 — Repertory PicksNext Wednesday afternoon, as part of its Stage on Screen series, the Avon Theatre Film Center, in Stamford, Connecticut, presents one of cinema’s most intimate explorations of theatrical craft, Louis Malle’s 1994 swan song Vanya on 42nd Street. A...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.